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Fotospeed Metallic LUSTRE 275
Metallic Lustre 275 is a flat, stiff, middle weight paper with a metallic effect lustre finish. The paper has a neutral white base and an instant dry, microporous coating. This paper has a wide colour gamut and a high D-MAX which delivers beautiful images, both in colour and B&W.
Compatible with both dye and pigment inks.
Fotospeed launched Metallic Lustre in March 2015, to meet a growing demand from our customers. Its unique finish has given photographers and artists a point of difference from their normal Gloss and Lustre inkjet papers. Metallic Lustre was launched alongside a Gloss version.
£29.99
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Meet our featured ambassadors
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- Mike Martin
- Paul Sanders
- Sue O'Connell
- Tony Worobiec FRPS
- John Swannell
Mike Martin
A keen participant in Club photography Mike Martin has won numerous awards for both prints and projected images.
Mike Martin Recommends
Fotospeed PF Lustre 275
View Fotospeed PF Lustre 275Paul Sanders
Paul Sanders is a professional landscape photographer based in the south east of England.
Paul Sanders Recommends
Fotospeed Smooth Cotton 300
View Fotospeed Smooth Cotton 300Sue O'Connell
Sue O'Connell is an award-winning photographer, who finds inspiration in her travels to far flung places. Her work has appeared in exhibitions including Masters of Print, the London Salon and Travel Photographer of the Year.
Sue O'Connell Recommends
Fotospeed Platinum Baryta 300
View Fotospeed Platinum Baryta 300Tony Worobiec FRPS
Landscape photographer Tony Worobiec has won awards for photography in the UK and internationally, and has had work exhibited in London’s Barbican Gallery, The Independent Photographers Gallery, The Fox Talbot Museum and Bradford’s National Museum of Phot
Tony Worobiec FRPS Recommends
Fotospeed Platinum Matt 280
Platinum Matt 280 is 100% acid free, fine art paper. A natural white base and state of the art ink-receiving layer, delivers a high D-MAX and wide colour gamut.
View Fotospeed Platinum Matt 280John Swannell
He spent the next ten years traveling and working for magazines such as Vogue, Harpers & Queen, the Sunday Times and Tatler. During this time, he developed his very distinctive and individual style in both fashion and beauty photography.
John Swannell Recommends
